Elegy for Alfred Hubbard

Tony Connor

Hubbard is dead, the old plumber;
who will mend our burst pipes now,
the tap that has dripped all the summer,
testing the sink's overflow?

No other like him. Young men with knowledge
of new techniques, theories from books,
may better his work straight from college,
but who will challenge his squint-eyed looks

in kitchen, bathroom, under floorboards,
rules of thumb which were often wrong;
seek as erringly stopcocks in cupboards,
or make a job last half as long?

He was a man who knew his ginnels,
alleyways, streets--the whole district,
family secrets, minor annals,
time-honored fictions fused to fact.

Seventy years of gossip muttered
under his cap, his tufty thatch,
so that his talk was slow and clotted,
hard to follow, and too much.

As though nothing fell, none vanished,
and time were the maze of Cheetham Hill,
in which the dead--with jobs unfinished--
waited to hear him ring the bell.

For much he never got round to doing,
but meant to, when weather bucked up,
or worsened, or when his pipe was drawing,
or when he'd finished this cup.

I thought time, he forgot so often,
had forgotten him, but here's Death's pomp
over his house, and by the coffin
the son who will inherit his blowlamp,

tools, workshop, cart, and cornet
(pride of Cheetham Prize Brass Band)
and there's his mourning widow, Janet,
stood at the gate he promised to mend.

Soon he will make his final journey;
shaved and silent, strangly trim,
with never a pause to talk to any-
body: how arrow-like, for him!

In St. Mark's church, whose dismal tower
he pointed and painted when a lad,
they will sing his praises amidst flowers
while, somewhere, a cellar starts to flood,

and the housewife banging his front-door knocker
is not surprised to find him gone,
and runs for Thwaite, who's a better worker,
and sticks at a job until it's done.